Orpheus ist ein FireWire Multi-Track Audio Interface für die
professionelle Audio Produktion Auch hier beweist PrismSound Top
Qualität bei State-Of -The Art Technologie. Für die
Steuerung kann ein
bereits bestehender Computer verwendet werden ( Windows XP &
Vista,
ASIO & WDM genauso wie MAC OS X 10.4.1). Das Gerät
verfügt über 8
analoge I/Os sowie über 10 digitale.
Orpheus overview
Orpheus is a FireWire multi-track audio interface for personal
recording and sound production, for professional musicians,
songwriters, engineers and producers as well as recording studios, post
production facilities and scoring stages. Orpheus is ideal for music
and sound recording, multitracking, overdubbing, stem-based mastering,
analogue summing and critical listening applications.
Orpheus provides Prism Sound's renowned performance, sound
quality and state-of-the-art clock technology in a dedicated FireWire
unit compatible with both Windows (XP & Vista, ASIO &
WDM) as
well as MAC OS X 10.4.11 and later (Intel & PPC). Once
configured
with a computer, Orpheus can also operate stand-alone using its S/PDIF
or AES3 I/O.
Orpheus has line, microphone and instrument inputs, selectable
RIAA Equalization for turntables, a built-in premium-quality monitoring
mixer for each output providing for performer foldback and surround
monitoring, concurrent ADAT and switchable S/PDIF or AES3 digital I/O
plus support for outboard MIDI devices. Microphone inputs include MS
matrix processing. High-performance digital sampling-rate conversion
(SRC) is available for digital inputs or outputs. Dual headphone
outputs are provided each with its own volume control, both monitoring
the same headphone feed.
Orpheus signal path
Eight analogue input channels and up to 10 digital input channels
are available as inputs for your audio workstation software through the
host computer's audio driver. Similarly, eight analogue output
channels, up to 10 digital output channels and stereo headphone outputs
can play 20 different channels. For low-latency foldback or monitoring
to headphones or main outputs, each output pair (1-2, 3-4 etc or the
headphone output) can optionally be driven from the built-in DSP mixer
with an individual local mix of any selection of inputs through the
controller applet. All analogue inputs are electronically balanced with
automatic unbalanced operation. Analogue outputs are electronically
balanced with 'bootstrapping', i.e. level is maintained if one leg is
grounded.
| Instrument Inputs |
2 x 6.3mm mono jack sockets,
auto-select to analogue inputs 1 & 2 when plugged |
| Headphone Outputs |
2 x 6.3mm stereo TRS Jacks, each
with illuminated volume control |
| Master volume |
Assignable encoder / push switch
with halo indication |
| Standby button |
with standby indicator (also
flashes when unit is in 'identify' mode) |
| Indication: |
| Level Meters |
10 x multi-segment bargraphs with
overload indication, 8 for analogue, 2 for digital, assignable to
inputs or outputs |
| Input selection |
Indicate mode of analogue inputs
1-4 as Mic / line / inst & plus phantom power indicator for mic
mode |
| Overkiller |
For every analogue input, lit when
Overkiller limiters are acting |
| Digital Input |
indicators for digital input
unlocked and SRC (sample-rate converter) selected |
| Digital Output |
indicator for SRC (sample-rate
converter) selected |
| Sync |
Master indicator, lit when
interface is providing system sync |
| |
| Mic / Line inputs 1-4 |
4 x combo connectors with XLR
sockets for mic input and 6.3mm TRS jack sockets for line input
(balanced or unbalanced) |
| Line inputs 5-8 |
4 x 6.3mm TRS jack sockets
(balanced or unbalanced) |
| Line outputs 1-8 |
8 x 6.3mm TRS jack sockets
(balanced or unbalanced) |
| Digital inputs |
1 x RCA
1 x TOSLINK for S/PDIF or ADAT Optical input;
(RCA can operate as AES3 input using XLR-RCA adapter supplied) |
| Digital output |
1 x RCA
1 x TOSLINK for S/PDIF or ADAT Optical output;
(RCA can operate as AES3 output using XLR-RCA adapter supplied) |
| MIDI I/O |
2 x 5 Pin DIN sockets
(in and out) |
| Wordclock |
2 x BNC sockets, output and input
(75R) |
| FireWire ports |
2 x FireWire IEEE1394A
(allowing cascading of multiple units) |
| Mains power |
3-pin 6A IEC inlet |
| Mac OS Support |
OS X 10.4 or later, PPC or Intel
platform |
| Windows OS Support |
Windows XP, Vista or later |
| Mac audio driver |
Core Audio device |
| Windows audio driver |
WDM and ASIO devices |
| Control Panel applet |
Graphical user interface for
control of single or multiple Orpheus units under Mac OS X or Windows. |
| Configuration |
Electronically balanced, with
fully-balanced analogue signal path |
| Input Sensitivity |
Switchable '+4dBu' (0dBFS =
+18dBu) or '-10dBV' (0dBFS = +6dBu) |
| Input Impedance |
14.5kR |
| Unbalanced Mode |
Automatic |
| Total harmonic distortion |
-117dB (0.00014%, -0.1dBFS) |
| THD+N |
-111dB (0.00028%, -0.1dBFS) |
| Dynamic Range |
116dB (-60dBFS) |
| Gain Accuracy |
±0.05dB |
| LF roll-off |
-0.05dB at 8Hz; -3dB at <1Hz |
| HF roll-off |
fs = 44.1kHz: -0.05dB at 21.1kHz;
-3dB at 22.0kHz
fs = 48kHz: -0.05dB at 23.0kHz; -3dB at 23.9kHz
fs = 96kHz: -0.05dB at 32.0kHz; -3dB at 47.9kHz
fs = 192kHz: -0.05dB at 32.0kHz; -3dB at 78kHz |
| CMRR |
20Hz..20kHz: >70dB |
| Inter-channel cross-talk |
1kHz: <140dB; 20Hz..20kHz:
<-120dB |
| Inter-channel phase |
10Hz..5kHz:
±0.25°,
5kHz..20kHz: ±1.0°,
20kHz..50kHz: ±2.0°,
|
| Overkiller |
Progessive limiter, auto-aligning,
selectable per channel |
| Impact Filter |
High-pass filter, -3dB at 80Hz,
40dB/decade (selectable for channels 1-4; whether in line, mic or
instrument mode) |
| RIAA de-emphasis filter |
Response accuracy:
±0.22dB at fs=44.1kHz;
±0.14dB at fs=48kHz;
±0.015dB at other sample rates |
| M-S matrix |
Allows direct connection of
mid-side mics, or non-matrix mic-preamps (selectable for channels 1-4;
whether in line or mic mode) |
| Configuration |
Electronically balanced, with
fully balanced analogue signal path |
| Gain |
10dB to 65dB in 1dB steps (0dBFS =
-56dBu to -1dBu) |
| Gain accuracy |
±0.05dB |
| Input impedance |
5.5kR |
| THD |
+10dB gain: -116dB at -0.1dBFS
(0.00016%)
+40dB gain: -110dB at -0.1dBFS (0.00032%) |
| THD+N |
+10dB gain: -108dB at -0.1dBFS
(0.00040%) |
| Equivalent input noise (EIN) |
+30dB gain: -128.5dBu (0R
source); -126.3dBu (150R source)
+40dB gain: -130.9dBu (0R source); -127.6dBu (150R source)
+50dB gain: -131.2dBu (0R source); -127.7dBu (150R source)
+60dB gain: -131.4dBu (0R source); -127.8dBu (150R source) |
| LF roll-off |
-0.05dB at 20Hz, -3dB at 5Hz |
| HF roll-off |
As per analogue line input data
(dependent on fs) |
| CMRR |
50Hz/60Hz: >110dB at all
gains
1kHz: >100dB at all gains
20kHz: >90dB at all gains |
| Phantom power |
+48V, switchable per channel |
| Configuration |
Unbalanced, high impedance buffer |
| Gain |
10dB to 65dB in 1dB steps, 18dB
pad (0dBFS = -38dBu to 17dBu) |
| Gain accuracy |
±0.05dB |
| Input impedance |
1MR |
| Configuration |
Electronically balanced, with
fully-balanced analogue signal path |
| Output amplitude |
Switchable '+4dBu' (0dBFS =
+18dBu) or '-10dBV (0dBFS = +6dBu) |
| Output impedance |
100R balanced, 50R unbalanced |
| Unbalanced mode |
Automatic, with bootstrapping
level compensation |
| Total harmonic distortion |
-107dB (0.00045%, -1dBFS) |
| THD+N |
-106dB (0.00050%, -0.1dBFS) |
| Dynamic range |
115dB (-60dBFS) |
| Gain accuracy |
±0.05dB |
| LF roll-off |
-0.05dB at 8Hz, -3dB at <1Hz |
| HF roll-off |
fs = 44.1kHz: -0.05dB at 21.4kHz;
-3dB at 22.0kHz
fs = 48kHz: -0.05dB at 23.2kHz; -3dB at 23.9kHz
fs = 96kHz: -0.05dB at 32.0kHz; -3dB at 47.8kHz
fs = 192kHz: -0.05dB at 32.0kHz; -3dB at 76kHz |
| Output balance |
>50dB |
| Inter-channel cross-talk |
1kHz: <135dB; 20Hz..20kHz:
<-120dB |
| Inter-channel phase |
10Hz..5kHz:
±0.4°,
5kHz..20kHz: ±0.25°,
20kHz..50kHz: ±0.5°,
|
| Formats supported |
S/PDIF (RCA or TOSLINK), ADAT,
ADAT S/MUX (TOSLINK) |
| Sample rates supported |
S/PDIF (2 channel): 44.1, 48,
88.2, 96, 176.4 and 192kHz
ADAT (8 channel) 44.1 and 48kHz
ADAT S/MUX (4 channel): 88.2 and 96kHz |
| Channel Status |
ignored |
| Word-length |
24 bit |
| AES3 operation |
via S/PDIF RCA, using RCA-XLR
adaptor (supplied) |
| Sample-rate converter (SRC) |
Selectable at S/PDIF input;
allowing input at any sample rate |
| Bit transparency |
Maintained (allows recording of
Dolby or DTS streams) |
| Formats supported |
S/PDIF (RCA or TOSLINK), ADAT,
ADAT S/MUX (TOSLINK) |
| Sample rates supported |
S/PDIF (2 channel): 44.1, 48,
88.2, 96, 176.4 and 192kHz
ADAT (8 channel) 44.1 and 48kHz
ADAT S/MUX (4 channel): 88.2 and 96kHz |
| Channel Status |
Full implementation, Consumer
(S/PDIF) or professional (AES3) |
| Word-length |
24
bit, or reduction to 16 bits using flat TPDF dither or Prism Sound SNS
(Super Noise Shaping - four alternative shapes available) |
| AES3 operation |
via S/PDIF RCA, using RCA-XLR
adaptor (supplied) |
| Sample-rate converter (SRC) |
Selectable
at S/PDIF output; output rate can be referenced to Wordclock, DI or
local clock at 44.1, 48, 88.2, 96, 176.4 or 192kHz |
| Bit transparency |
Maintained in 24 bit mode (allows
playback of Dolby or DTS streams to external decoder) |
| System sample rates |
44.1 / 48 / 88.2 / 96 / 176.4 /
192kHz |
| Sync sources: |
| Master |
local, Wordclock, DI (S/PDIF
input) or ADAT |
| Slave |
FireWire bus master (another
FireWire interface or Host computer) |
| Local clock accuracy |
±10ppm |
| Jitter rejection |
>60dB / decade above 100Hz |
Internal mixer delay
(total analogue in to out) |
fs = 44.1kHz: 0.56ms;
fs = 48kHz: 0.52ms;
fs = 88.2kHz: 0.2ms;
fs = 96kHz: 0.18ms;
fs = 176.4kHz: 0.09ms;
fs = 192kHz: 0.08ms; |
| Form factor |
1u 19inch rack mountable
(rubber feet and rack ears supplied)
|
| Dimensions |
Table top (inc feet):
W: 440mm D: 290mm H: 50mm
Rack-mount (inc ears):
W: 483mm D: 290mm H: 44.5mm
|
| Power: |
90-250VAC, 50/60Hz
internal power supply
IEC 6A connector |
| Power consumption |
35W |
| Fuse rating |
0.5A(T), 20mm, ceramic |
| Weight: |
3.7kg |
| Operation ambient conditions |
0 to 35°C, 85% maximum
relative humidity |
... nach oben
Keine Knete? Dann finanziere dein Wunschprodukt doch einfach, schnell und unkompliziert.
Beim Prism Sound Orpheus FireWire Recording Interface ist eine Finanzierung bereits ab:
69,21 EUR pro Monat möglich.
Einfach als Zahlungsart Finanzierung im Bestellprozess auswählen, die Finanzierungsentscheidung erfolgt während des Bestellprozesses.
Finanzierungsoptionen
| duration in month | montly rate | annual percentage rate |
| 12 | 362,87 EUR | 10,9% |
| 18 | 248,12 EUR | 10,9% |
| 24 | 190,81 EUR | 10,9% |
| 36 | 133,67 EUR | 10,9% |
| 48 | 105,24 EUR | 10,9% |
| 60 | 88,31 EUR | 10,9% |
| 72 | 77,12 EUR | 10,9% |
| 84 | 69,21 EUR | 10,9% |
... nach oben
