Prism Sound Orpheus FireWire Recording Interface

Prism Sound Orpheus FireWire Recording Interface
	incl. 19 % UST exkl.Versandkosten

Orpheus ist ein FireWire Multi-Track Audio Interface für die professionelle Audio Produktion Auch hier beweist PrismSound Top Qualität bei State-Of -The Art Technologie. Für die Steuerung kann ein bereits bestehender Computer verwendet werden ( Windows XP & Vista, ASIO & WDM genauso wie MAC OS X 10.4.1). Das Gerät verfügt über 8 analoge I/Os sowie über 10 digitale.

Orpheus overview
Orpheus is a FireWire multi-track audio interface for personal recording and sound production, for professional musicians, songwriters, engineers and producers as well as recording studios, post production facilities and scoring stages. Orpheus is ideal for music and sound recording, multitracking, overdubbing, stem-based mastering, analogue summing and critical listening applications.

Orpheus provides Prism Sound's renowned performance, sound quality and state-of-the-art clock technology in a dedicated FireWire unit compatible with both Windows (XP & Vista, ASIO & WDM) as well as MAC OS X 10.4.11 and later (Intel & PPC). Once configured with a computer, Orpheus can also operate stand-alone using its S/PDIF or AES3 I/O.

Orpheus has line, microphone and instrument inputs, selectable RIAA Equalization for turntables, a built-in premium-quality monitoring mixer for each output providing for performer foldback and surround monitoring, concurrent ADAT and switchable S/PDIF or AES3 digital I/O plus support for outboard MIDI devices. Microphone inputs include MS matrix processing. High-performance digital sampling-rate conversion (SRC) is available for digital inputs or outputs. Dual headphone outputs are provided each with its own volume control, both monitoring the same headphone feed.

Orpheus signal path
Eight analogue input channels and up to 10 digital input channels are available as inputs for your audio workstation software through the host computer's audio driver. Similarly, eight analogue output channels, up to 10 digital output channels and stereo headphone outputs can play 20 different channels. For low-latency foldback or monitoring to headphones or main outputs, each output pair (1-2, 3-4 etc or the headphone output) can optionally be driven from the built-in DSP mixer with an individual local mix of any selection of inputs through the controller applet. All analogue inputs are electronically balanced with automatic unbalanced operation. Analogue outputs are electronically balanced with 'bootstrapping', i.e. level is maintained if one leg is grounded.

FRONT PANEL
Instrument Inputs	2 x 6.3mm mono jack sockets, auto-select to analogue inputs 1 & 2 when plugged
Headphone Outputs	2 x 6.3mm stereo TRS Jacks, each with illuminated volume control
Master volume	Assignable encoder / push switch with halo indication
Standby button	with standby indicator (also flashes when unit is in 'identify' mode)
Indication:
Level Meters	10 x multi-segment bargraphs with overload indication, 8 for analogue, 2 for digital, assignable to inputs or outputs
Input selection	Indicate mode of analogue inputs 1-4 as Mic / line / inst & plus phantom power indicator for mic mode
Overkiller	For every analogue input, lit when Overkiller limiters are acting
Digital Input	indicators for digital input unlocked and SRC (sample-rate converter) selected
Digital Output	indicator for SRC (sample-rate converter) selected
Sync	Master indicator, lit when interface is providing system sync

REAR PANEL
Mic / Line inputs 1-4	4 x combo connectors with XLR sockets for mic input and 6.3mm TRS jack sockets for line input (balanced or unbalanced)
Line inputs 5-8	4 x 6.3mm TRS jack sockets (balanced or unbalanced)
Line outputs 1-8	8 x 6.3mm TRS jack sockets (balanced or unbalanced)
Digital inputs	1 x RCA 1 x TOSLINK for S/PDIF or ADAT Optical input; (RCA can operate as AES3 input using XLR-RCA adapter supplied)
Digital output	1 x RCA 1 x TOSLINK for S/PDIF or ADAT Optical output; (RCA can operate as AES3 output using XLR-RCA adapter supplied)
MIDI I/O	2 x 5 Pin DIN sockets (in and out)
Wordclock	2 x BNC sockets, output and input (75R)
FireWire ports	2 x FireWire IEEE1394A (allowing cascading of multiple units)
Mains power	3-pin 6A IEC inlet

SOFTWARE SUPPORT
Mac OS Support	OS X 10.4 or later, PPC or Intel platform
Windows OS Support	Windows XP, Vista or later
Mac audio driver	Core Audio device
Windows audio driver	WDM and ASIO devices
Control Panel applet	Graphical user interface for control of single or multiple Orpheus units under Mac OS X or Windows.

ANALOGUE LINE INPUTS
Configuration	Electronically balanced, with fully-balanced analogue signal path
Input Sensitivity	Switchable '+4dBu' (0dBFS = +18dBu) or '-10dBV' (0dBFS = +6dBu)
Input Impedance	14.5kR
Unbalanced Mode	Automatic
Total harmonic distortion	-117dB (0.00014%, -0.1dBFS)
THD+N	-111dB (0.00028%, -0.1dBFS)
Dynamic Range	116dB (-60dBFS)
Gain Accuracy	±0.05dB
LF roll-off	-0.05dB at 8Hz; -3dB at <1Hz
HF roll-off	fs = 44.1kHz: -0.05dB at 21.1kHz; -3dB at 22.0kHz fs = 48kHz: -0.05dB at 23.0kHz; -3dB at 23.9kHz fs = 96kHz: -0.05dB at 32.0kHz; -3dB at 47.9kHz fs = 192kHz: -0.05dB at 32.0kHz; -3dB at 78kHz
CMRR	20Hz..20kHz: >70dB
Inter-channel cross-talk	1kHz: <140dB; 20Hz..20kHz: <-120dB
Inter-channel phase	10Hz..5kHz: ±0.25°, 5kHz..20kHz: ±1.0°, 20kHz..50kHz: ±2.0°,
Overkiller	Progessive limiter, auto-aligning, selectable per channel
Impact Filter	High-pass filter, -3dB at 80Hz, 40dB/decade (selectable for channels 1-4; whether in line, mic or instrument mode)
RIAA de-emphasis filter	Response accuracy: ±0.22dB at fs=44.1kHz; ±0.14dB at fs=48kHz; ±0.015dB at other sample rates
M-S matrix	Allows direct connection of mid-side mics, or non-matrix mic-preamps (selectable for channels 1-4; whether in line or mic mode)

MICROPHONE PREAMPLIFIERS
Configuration	Electronically balanced, with fully balanced analogue signal path
Gain	10dB to 65dB in 1dB steps (0dBFS = -56dBu to -1dBu)
Gain accuracy	±0.05dB
Input impedance	5.5kR
THD	+10dB gain: -116dB at -0.1dBFS (0.00016%) +40dB gain: -110dB at -0.1dBFS (0.00032%)
THD+N	+10dB gain: -108dB at -0.1dBFS (0.00040%)
Equivalent input noise (EIN)	+30dB gain: -128.5dBu (0R source); -126.3dBu (150R source) +40dB gain: -130.9dBu (0R source); -127.6dBu (150R source) +50dB gain: -131.2dBu (0R source); -127.7dBu (150R source) +60dB gain: -131.4dBu (0R source); -127.8dBu (150R source)
LF roll-off	-0.05dB at 20Hz, -3dB at 5Hz
HF roll-off	As per analogue line input data (dependent on fs)
CMRR	50Hz/60Hz: >110dB at all gains 1kHz: >100dB at all gains 20kHz: >90dB at all gains
Phantom power	+48V, switchable per channel

INSTRUMENT PREAMPLIFIERS
Configuration	Unbalanced, high impedance buffer
Gain	10dB to 65dB in 1dB steps, 18dB pad (0dBFS = -38dBu to 17dBu)
Gain accuracy	±0.05dB
Input impedance	1MR

ANALOGUE OUTPUTS
Configuration	Electronically balanced, with fully-balanced analogue signal path
Output amplitude	Switchable '+4dBu' (0dBFS = +18dBu) or '-10dBV (0dBFS = +6dBu)
Output impedance	100R balanced, 50R unbalanced
Unbalanced mode	Automatic, with bootstrapping level compensation
Total harmonic distortion	-107dB (0.00045%, -1dBFS)
THD+N	-106dB (0.00050%, -0.1dBFS)
Dynamic range	115dB (-60dBFS)
Gain accuracy	±0.05dB
LF roll-off	-0.05dB at 8Hz, -3dB at <1Hz
HF roll-off	fs = 44.1kHz: -0.05dB at 21.4kHz; -3dB at 22.0kHz fs = 48kHz: -0.05dB at 23.2kHz; -3dB at 23.9kHz fs = 96kHz: -0.05dB at 32.0kHz; -3dB at 47.8kHz fs = 192kHz: -0.05dB at 32.0kHz; -3dB at 76kHz
Output balance	>50dB
Inter-channel cross-talk	1kHz: <135dB; 20Hz..20kHz: <-120dB
Inter-channel phase	10Hz..5kHz: ±0.4°, 5kHz..20kHz: ±0.25°, 20kHz..50kHz: ±0.5°,

DIGITAL INPUTS
Formats supported	S/PDIF (RCA or TOSLINK), ADAT, ADAT S/MUX (TOSLINK)
Sample rates supported	S/PDIF (2 channel): 44.1, 48, 88.2, 96, 176.4 and 192kHz ADAT (8 channel) 44.1 and 48kHz ADAT S/MUX (4 channel): 88.2 and 96kHz
Channel Status	ignored
Word-length	24 bit
AES3 operation	via S/PDIF RCA, using RCA-XLR adaptor (supplied)
Sample-rate converter (SRC)	Selectable at S/PDIF input; allowing input at any sample rate
Bit transparency	Maintained (allows recording of Dolby or DTS streams)

DIGITAL OUTPUTS
Formats supported	S/PDIF (RCA or TOSLINK), ADAT, ADAT S/MUX (TOSLINK)
Sample rates supported	S/PDIF (2 channel): 44.1, 48, 88.2, 96, 176.4 and 192kHz ADAT (8 channel) 44.1 and 48kHz ADAT S/MUX (4 channel): 88.2 and 96kHz
Channel Status	Full implementation, Consumer (S/PDIF) or professional (AES3)
Word-length	24 bit, or reduction to 16 bits using flat TPDF dither or Prism Sound SNS (Super Noise Shaping - four alternative shapes available)
AES3 operation	via S/PDIF RCA, using RCA-XLR adaptor (supplied)
Sample-rate converter (SRC)	Selectable at S/PDIF output; output rate can be referenced to Wordclock, DI or local clock at 44.1, 48, 88.2, 96, 176.4 or 192kHz
Bit transparency	Maintained in 24 bit mode (allows playback of Dolby or DTS streams to external decoder)

SYNCHRONIZATION
System sample rates	44.1 / 48 / 88.2 / 96 / 176.4 / 192kHz
Sync sources:
Master	local, Wordclock, DI (S/PDIF input) or ADAT
Slave	FireWire bus master (another FireWire interface or Host computer)
Local clock accuracy	±10ppm
Jitter rejection	>60dB / decade above 100Hz
Internal mixer delay (total analogue in to out)	fs = 44.1kHz: 0.56ms; fs = 48kHz: 0.52ms; fs = 88.2kHz: 0.2ms; fs = 96kHz: 0.18ms; fs = 176.4kHz: 0.09ms; fs = 192kHz: 0.08ms;

PHYSICAL
Form factor	1u 19inch rack mountable (rubber feet and rack ears supplied)
Dimensions	Table top (inc feet): W: 440mm D: 290mm H: 50mm Rack-mount (inc ears): W: 483mm D: 290mm H: 44.5mm
Power:	90-250VAC, 50/60Hz internal power supply IEC 6A connector
Power consumption	35W
Fuse rating	0.5A(T), 20mm, ceramic
Weight:	3.7kg
Operation ambient conditions	0 to 35°C, 85% maximum relative humidity

x Prism Sound Orpheus FireWire Recording Interface

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Produkt ID: 203637
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Denna produkt togs in den Thursday, 25. September 2008 i vår katalog.